Pulling Out the Positive

Those who know me know my past. I don’t make it a secret. I don’t wallow or dwell, though I can’t help but carry it with me every day. I do my best to honor it, honor him, accept and learn. It has shaped me as a person, as a writer, as a mother and wife. As a daughter and sister. Embracing the tragedy of my past rather than shunning it, I believe, gives me the freedom to be truly happy. We can’t hide from what has been. It is my devout belief that pulling a positive out of any negative lessens the impact and the power of any tragedy. I have pulled, and continue to  pull, positives out of every negative. The facets are as intriguing as they are beautiful. Maybe even divine.

Since the day he died, Brian has been part of every story I write in some way. Just now, I was working on Waking Savannah, and the absolute truth of that fact hit me right in the belly.

Slumping back in her chair, she blew out a deep breath. Drew in another. Let it go. If Benny and Johanna and half the town knew her story, she had been oblivious to it. No one brought it up, not even after her alter-ego became common knowledge. Conversation did not hush the moment she walked into a gathering.

It happened all the time after Brian died, whenever I walked into a room. All eyes turned to me, pitying and compassionate, and all conversation stopped. It never mattered if they were talking about me or not, because the result was the same. It hurt every time. I did not want to be identified as “that poor girl.” Years later, I would come to understand that from this negative, I pulled out the positive decision of not being her. I became the woman who survived, who thrived, who found happiness after grief. Brian’s children always knew him, and not because of tears and grief. He was Daddy-Brian, not just to his two biological children, but to the two kids I had with Frank. We remembered him with happiness, included him in our lives. How else does one honor the beloved deceased?

And still, that old feeling lingers to this day to a lesser degree, when someone first finds out I had a life before this one. That I was a wife and mother and widow before I turned twenty-two. The instant pity/compassion. The “that must have been really hard.” What does one say to that? “It was.” Plain and simple. But I always fluster, because that “poor girl” gets thrown off every time. “It was a long time ago.” “I try not to dwell.” “Shut the fuck up, you know nothing, Jon Snow.” Okay, so I don’t say the last one out loud, but sometimes…sometimes it’s hard not to lash out. I want to tell those kind souls who have no idea the nerve they’ve tapped not to look at me like that. I can’t stand the pity. I overcame my past to make a freaking amazing life. Don’t throw me back there again, dammit! Not even for a moment of heartfelt compassion.

Writing that line this morning really hit me, which is why I took a break from the story to write this post. I needed to get it out of my head. It’s not like I didn’t know I was writing this piece of myself into Savannah. Like all my characters, she has been a facet of me from inception. It was the visceral response I had to that bolded line above that got me, all these years later.

Unlike me, Savannah kept her past secret for many years, but will she continue along my path? Well, I know the answer to that; you’ll have to wait a year and five months. But I bet you can guess.

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A Tale of the Incomparable Frankie D

(Continued from FB, where it just became too long!)

Or: How I got two engagement rings…

Riding along Route 9, heading to a beach party down the shore, we got stuck in traffic. Frankie D spotted a jewelry store in a strip mall as we passed. “I’m buying you an engagement ring,” said he, and veered sharply into the parking lot. I, having only know the man less than two months, had no idea what kind of $ he had to spend. I conservatively chose this:

topaz

Sorry it’s so blurry. I wanted aquamarine, because it is my birthstone. They had none, so I chose this blue topaz surrounded by diamonds. A family friend asked if it was a “friendship ring.” Frankie D never got over it.

Hell, how was I supposed to know he could have afforded a diamond? I barely knew him. (Don’t gasp. We’ve been married 26 years. It’s all good.)

Skip ahead 18 years. We’re in a mall we’ve never been to before, and are only there to kill some time. Guess what Frankie D spots? Yup, a jewelry store. This one is going out of business! 75% off everything in the store.

“I’m buying you a diamond,” says he, and into the store we went. I chose two rings for him so he could “surprise” me with one of them.

diamonds

This is life with Frankie D. When we first met and fell in love so quickly, “impetuous” was his favorite word. It still is.

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Cover Reveal!

I’m just going to put this here and revel a moment…

Seeking+Carolina-highres

Sigh…there they are–Charlie and Johanna, on the cover to my October 27, 2015 novel being published by Lyrical Press, an imprint of Kensington Publishing, Seeking Carolina. It does all a romance cover should do. The colors, the images make you want to pick it up, turn it over, read the blurb. What you do from there is up to you.

I’m just going to bask a while. There will be more in upcoming months, but for now…sigh…life sure is good.

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I’m ready

I have been a stay-at-home mother most of my life. I started when I had my first child, and continue to this day, despite the fact that my youngest is twenty-three. Being a mother is the job one can never retire from, or quit. I’m here when they need to crow, or to cry, when they need help or advice, when they just need that one person who will love them no matter what. They are my first priority. Always have been. Always will be.

Three of my four kids have been out of the house for some time. My fourth is moving out this week. This one has needed a little more care and feeding than the others. For a while, I don’t think he believed he’d ever be all-around well enough to live on his own. I always knew he would be, even if a small piece of me held on to him staying. Now that he’s truly ready to step out into his own life, I’m truly happy. Happy that he is well. Happy that he can get the hell out of here. Happy that he is happy and healthy and thriving.

My kids are grown. My husband and I did an amazing job. We have raised five truly extraordinary people, nursed them through good times and bad, helped them become who they are, who they’ve always had the potential to be. I’m really proud of them. I’m proud of myself. And I’m ready.

I started this mom-gig at eighteen. I was the mother of two and a widow when I met my Frankie D. We started our life together with three kids–two of mine, one of his. Then we added two more. We’ve been married twenty-six years and have never been “just us.” It’s about time we got to see how that feels.

As a mother, I’ve never lamented time ticking by. I enjoyed every stage of my kids’ growing years and never wished for my babies back. I’m not going to lament this part of their growth either. Empty nest has no negative connotation for me. I love the adults they’ve become. I enjoy them completely. Should they ever need to come home again, they know the option is there. That makes me happy too, because it means they truly understand how unconditionally they are loved.

It occurred to me this morning that raising kids is, in many ways, like writing a book. The stories birthed in our minds grow on the pages. There are fun times and frustrating times, but in the end, we have a book that goes out into the world. We miss it. We miss the writing of it. Creating the characters. The places. But it’s a triumphant feeling, sending it confidently out into the world to see what will become of it.

At fifty-one, I’m not having any more kids. Grandkids, sure, but they’re not mine. I just get to play with them and buy them fun things like magic wands and pirate eye-patches. I can write more books, though, and that’s what I’m going to do right now.

img4580-silh-ej-sooc-600x399

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Marvelous Brains (sorry, not a zombie love story)

A friend and I were recently discussing the subconscious writer-brain; it knows things it doesn’t actually tell us about. These bits of knowing are always there, guiding us along a certain path, just waiting for the opportunity to reveal themselves in all their glory. Some people call this their muse. I’m a whimsical sort of person, but I don’t ascribe to the nebulous being hovering over my shoulder feeding me plot points and character development. I’m doing all the hard work. I’ll take the credit, thank you very much. I don’t believe this is an accidental occurrence, either.

imagesVVS0VDLAIf we were conscious of every plot point all the time, we’d overload. I can’t think of a more stressful thing to deal with. It would be like trying to remember every grammar rule and writing trend as we create that first draft. It’s why we writers need several passes at a manuscript to get it right once that first draft is done. One pass for plot and pacing, one for grammar, one (or more) for polish. Anyone who says otherwise is deluded.

So our subconscious holds on to things, gives them out bit by bit. Sometimes the genius-held-in-check strikes while we’re at the keyboard, like it did for my friend the other day. And sometimes it whams us when we’re least suspecting. For me, like for many, this happens most often in the shower. (There is some cool science behind this phenomenon, but that’s a blog post for another time.)

This morning, it wasn’t genius my subconscious hit me with, but a detail I messed up in the second book in my Bitterly Suite, Dreaming August. It’s a tiny detail, a throwaway detail, but an extremely wrong detail. My train of thought leading to it:

People in my family who say hello and goodbye, and people who don’t.

It’s very important to my daughter to always say good-bye.

Because her father died when she was almost three, and she didn’t say good-bye to him before he left the house that morning.

Benny, the heroine of Dreaming August, lost her husband to a motorcycle accident, like I did.

And that gave me the scene in which this tiny detail went wrong, because the accident happened six years prior to the opening of the story, while Benny was attending a friend’s baby shower. A friend who would not even meet her husband for another five years. D’oh.

I have been over this book, and over it. Poor Penny. I’ve sent her at least four “updated” versions of this manuscript, and it’s not even due in until sometime around September. Why did this detail hit me today? Train of thought? Sure. But, this detail I’ve been over so many times without catching only today, in a round about fashion, zaps me.

Does this ever happen to you? How does your genius find you?

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The Art of Subtle Writing

I am the last person to spout about how texting and its shortcuts are ruining the written word. I love my emojis and emoticons. I use them regularly, but I have to admit, they’ve made me lose sight of something very important to me. Subtle writing.

In texts and on social media, these shortcuts are what they are, part of the fun. It never occured to me that it would spill over into my writing, and it was able to because I wasn’t paying attention. As I go through this final edit with the extraordinary Penny Barber, I am relearning lessons I learned long ago. Write invisibly. Trust your reader. Trust your words.

Before Penny, I’d have witten that like this:

As I go through this final edit with the extraordinary Penny Barber, I am relearning lessons I learned long ago–Write invisibly. Trust your reader. Trust your words.

Nothing wrong with that, right? Well, yeah, there is. The mdash and the italics say, “I’m here! Look! Me! The author!” They’re author intrustion of an insidious kind, because they’ve become easy signposts to spot, and that’s the point. We spot them. It’s not writing invisibly, it’ s not trusting my reader, or my words. You got it just fine the first time, right? Exactly.

Many years ago, the incomparable Teresa Nielsen Hayden  told me I write invisibly. It’s one of the greatest compliments I’ve ever recieved as a writer. Writing invisibly lets the story shine brighter. It allows the reader to not only see it clearly, but to put her own spin on things, to hear the characters in her own way, to give her own voice to the words she is reading. That is a beautiful thing, and it’s what makes a good story into something extraordinary.

Just this morning, I commented on a comment a friend made on Facebook. To this pic he wrote:

my futer home 2

Clinton Harris Pretty sure a witch lives there already. Like the kind that bakes children into large pies.
To which I replied:
Terri-Lynne DeFino I’ll have to ask for her recipe. Mine’s dated. (wink emoticon)
Not uncommon on FB to use the emoticons when you want to make sure the person recieving the message knows what you were going for. But did my friend really need that winky-face to know I was kidding? And how much funnier the subtle version is. Subtle writing, the lost art I am finding again.
I am the Sparklequeen. That’s where it all started. Anyone who knows me understands I think in exclamation points, I sparkle, I smile, I throw my hands in the air like a muppet and shout. Putting my personality on the page began with sparkletext on LiveJournal, and turned into the overuse of semicolons, mdashes, italics and all the other indicators that have become habit. When Penny started taking out my exclamation points and semicolons, my heart shriveled. I didn’t want to lose my voice. But what I have come to understand in the days of this edit is my voice is clearer without all those things. The beauty of my writing isn’t inserting myself in there, it’s taking me out.
This entire post would have once been rife with exclamation points and italic text. Now, not so much. And not only have I learned this lesson, but it has sparked another we should all, readers and writers alike, never forget. The learning process never ends. Ever.

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Writing Bad Boys

I love a bad boy. Love. I’ve written some great ones, my favorite being in a series of books that shall  never see the light of day…I think. I always redeem them in the end, because not only am I a sucker for bad boys, I’m a sucker for redemption. But I have a problem, and I blame my husband for it.

Writing the bad boy is fun, but he’s always a secondary character in my worlds. My main protags tend to be those noble heroes who always come through, and that’s why I blame my husband, because he’s who I love, and who he is–a noble hero. He has spent his life in service of others, always thinking first of what’s right for all, not just right for him. He is by no means perfect; gads that would bore the hell out of me. But Frankie D is a hero. He’s my hero. And he ends up in all my stories.

All my stories but this one…

I’m working on Waking Savannah the third Bitterly Suite Romance. From the start, Adelmo Gallegos–my male protag–was to be a bad boy. He’s a player who’s been played, bigtime, and hiding out in the relative anonymity of Bitterly, CT. He’s not a bad guy. He’s charming. He doesn’t set out to hurt people, but he’s not opposed to using them either. Problem is, though I started out with that in mind, he became the noble hero somewhere along the way, always saying the right thing, doing the right thing, putting others ahead of himself. (Dammit, Frank!) I ended up going back to page one and giving him a POV, as a way to get more of him into it.

Just like I knew I wanted him to be a bad boy, I knew I wanted him redeemed. This is a romance, after all. Giving him a POV helped, but it wasn’t completely cutting it. I was redeeming him way too fast. Farts. I went back to page one again, and magic happened.

I hadn’t boffed the first draft like I thought I did. On the contrary. It’s all there, just as it needs to be. What wasn’t there were the little nuances to show his evolution from faking it, to being sincere.

Ade’s scenes are not going to change much. His interactions with Savannah–my female protag–will remain largely the same. It’s the internal bits and pieces that will change. He’s a charmer, and she’s been alone a long time. Her vulnerability is, in part, what helps him to evolve, to become the person she believes he is. It’s that nuance I’m missing, that evolution from faking it to sincerity.

I started filling in those pieces this morning, and I’m finally out of noble-hero-mode and into bad-boy. Whew! Sometimes, it takes some wrestling to get my thoughts and intentions to align with fast-flying-fingers working somewhat on automatic.

 

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Round-About Inspiration

I am fortunate. This I know. In all the years I’ve been writing, I’ve never lacked for a plotline, the time or the drive to develop it into a novel. I never have fewer than two ideas waiting for their turn in the spotlight. Again, I’m fortunate enough to have the time to go along with the imagination–something I never feel the need to justify, or would dare to squander. That’s why I write everyday.

The  original spark for Seeking Carolina started with a writing-group prompt a couple of years ago. The scenario was, “What do you do when someone else gets what you wanted most?” Up popped Johanna and her sisters, and the locket they were all promised. Once again during writing group, the very-talented Renee Paley-Bain told us that she needs to get her hands in the dirt. Gardening is her solace and inspiration…and up popped Benny, the young widow in Dreaming August, who plants a graveyard garden and talks to ghosts. Discussing with my son how awesome it would be to, one day, live in an old-folks-home populated by writers sparked Traegar’s Lunatics, a novel unconnected to any of the others; I can’t wait to write it, but I have to finish Waking Savannah, the third book in The Bitterly Suite, as well as write the fourth, Being Charlotte. Then, thought I, would be the old-writers-home book…maybe. Because last week, while reading the latest edition of RWR (Romance Writer’s Report,) most specifically, the article about series work, a new novel was born.

There are plusses and minuses to writing in a series. A minus is getting pigeon-holed, being stuck writing in one place, with one basic set of characters, because that’s what your readers want. Well, readers wanting more is fabulous, of course, but writing in the same place for too long begins to lose its shine–especially when one is writing about a small town. The antidote for that, the article said, could be a spin-off series…spark!

Out popped Tabitha, foil for a grown-up Caleb, who appeared in The Bitterly Suite as an incidental character. The bakery first introduced in Seeking Carolina is located in Cape May, New Jersey, a gorgeous little sea-coast, Victorian town. Bitterly, Connecticut and all her locals are still present, though nebulously. Transplanting Caleb to Cape May brings both series together, while giving me a new world to write in. Now, Charlotte and Peter’s story is no longer Being Charlotte but Cape Maybe, first in the Bitterly’s Bachelors series, followed by Caleb and Tabitha in Wayward Point, and Will and Vanessa in Ocean’s Edge. Once the first novel melds The Bitterly Suite to Bitterly’s Bachelors, I can move away from the Bitterly completely and settle in Cape May. How cool is that?? I’m pretty stoked.

Never lacking for a story is a wonderful thing; keeping focused on one while the others nudge you in the back isn’t quite as wonderful, but it’s still pretty fabulous. I never know when inspiration is going to strike, but I love when it does. What about you? Where does your inspiration come from?

lighthouse

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I Have Been Remiss

I was so anticipating weekly posts here on Modesty is for Suckers, and while I did okay for a few weeks, I’ve slacked off. Oh, so many reasons why from my son’s illness to exciting writerly goings-on to the holidays; and yet here we are, almost February. My son’s illness resolved, the writing going smoothly, the holidays long gone, and hardly a peep out of me. So..peep, peep!

On the writing front, there is fabulous news most who actually follow this blog out of love and loyalty already know. For posterity’s sake, I’ll post it up anyway: I signed another two-book contract with Kensington/Lyrical to publish what were formerly titled Walk with Dreams, and Unremembered Wings, books two and three in The Bitterly Suite. Formerly? Why, yes, formerly, because the powers that be weren’t mad about my artsy titles, taken from a poem, from which I lifted chapter headings for the books.

“I really like the title SEEKING CAROLINA but I’m not as crazy about the above titles, so please just mention to the author the possibility of changing them.  I wonder if each title could be SEEKING “Something”? ”

I saw his point immediately. From a marketing standpoint, you want the titles in a series to go together in a recognizable way. Because “Seeking Carolina” can have a dual meaning, I thought, “Well, ok. Then how about Seeking August, and Seeking Savannah?” They both do the same thing, carry the possiblilty of two meanings. In each case, they are names of characters within the story, as well as linked to the month and place. But…meh. I didn’t hate the titles, but I didn’t love them either. They seemed so lacking in creativity, and they smacked of lazy marketing. Over the course of a few days, I came up with titles I liked better–Dreaming August, and Waking Savannah.

Seeking, dreaming, waking–they go so well together, and do what the powers wanted them to do, just more creatively. My fabulous editor, Penny Barber, submitted the request and it was approved! Woohoo! Huzzah! Hip-hip-horray! And now I have the name of my fourth book in The Bitterly Suite–one not yet sold but planned in a more nebulous way–Being Charlotte.

A fine progression, if I do say so meself. I am not absolutely certain I’m going to write the fourth one. I have a whole new beastie bumping about in my head, as well as a fantasy novel that needs to be finished. I’ve woven in threads leading to book four through books 2 and 3, and I’ve an outline, so it would be a shame not to. If my publisher wants the fourth book, I will provide it. With books coming out in October of this year, March of 2016 and September 2016, I’d say there’s plenty of time to decide, on both our parts.

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Favorite Quotes

A friend put this up today, on the other blog I do with a group of authors, Heroines of Fantasy

“Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.”
― Apple Inc.

Though the magic of the internet can’t tell me if this is actually an Apple construct or Jack Kerouac, whoever wrote it, I love it. I have many, many quotes on the walls of my house, in a notebook, tattooed somewhere on my person, but this is one of my all-time favorite quotes, by the amazing Ray Bradbury.

“If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.”

What about you?

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